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Hollywood studios are increasingly relying on pre-visualization or (pre-viz), to help filmmakers see preliminary versions of shots or sequences before they film on location.
As a fight coordinator I not only fully choreograph fight scenes, I specialize in shooting action pre-viz. I always shoot a kind of 'digital dress rehearsal' for the scene, planning the entire action sequence, including the position of stunt performers, the placement of explosives, squibs etc, all to help production when making key decisions for the scene.
With a long history of camera work, including credits with the camera union for camera op work on feature films, I fully ensure that my pre-viz work is top quality. I shoot on the RED Epic Dragon and use various types of cinema glass.